About

Postcard Comets: Buck and Dave

Canadian singer-songwriters David Partridge and Robert “Buck” Wilburn have been making music together since high school. They began in rock bands, rehearsing in Buck’s parents living room, but soon switched to acoustic music, playing original songs as a duo on the University circuit in the Southern Ontario for a number of years.

On his own, Buck has worked with a long line of country rock and country entertainers. Buck sings and plays dobro, lap slide and mandolin as well as electric and acoustic guitar. His songwriting style is rootsy and poignant and includes Comet favourites such as Must Be The RadioAt Least There’s Tomorrow and He Could Fix Anything on which he sings lead.

David has written songs for theatrical films as well as working at the executive level in the filmed entertainment business. He is the duo’s primary singer and plays acoustic guitar, keyboards and harmonica as well as functioning as the band’s producer. He wrote Comet favourites Catch And Release, The L.A. Man and A Little More Than Me.

Together, as POSTCARD COMETS, they blend all of their influences and passions into a distinctive mélange of rock, pop, acoustic and country. Their debut album, Bodies Of Water, is now available on iTunes worldwide as well as Amazon.com, Rhapsody, eMusic and Napster.


» Where we are online

MySpace
The Obligatory Social Media for Us Musicians
Postcard Comets on myspace.com

Come see us on our myspace page. Drop by and schmooze any time.


ReverbNation
Rockin’ the Heart of Music’s Social Media
Postcard Comets on Reverb Nation

More fans, favourites and all that fun stuff. Check us out here too.


iTunes
Available on iTunes Worldwide
Postcard Comets on iTunes

Postcard Comets album Bodies Of Water now available on iTunes! Click here for the US store.

» Cometary

Reimagining NEVER FALL IN LOVE
David's Blog

NEVER FALL IN LOVE is a David Partridge song written years ago. It’s worn several arrangements, none of which quite fit, at least not to Buck and David’s satisfaction.
The problem was that with each successive version, the arrangement of the song just got bigger and more dramatic and, we admit it, longer. But [...]

March 8th, 2010 | No Comments


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